A one-day video shoot of Dulcinea completing one work was the impetus. What was needed was a painting that could be completed from beginning to end with a manageable number of brushstrokes in a single day.
Paul opened up the density of the brushstrokes giving the airy feeling of the painting. It was not quite that simple, Paul looked at dozens and dozens of options in a few days of collaborating with the programs because he was looking for something with energy and lumen. He wanted more negative space. A lighter work. The concepts are about what engages the eye – brushstroke, color contrast, movement.
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